Bill Hansen considers himself smarter than the average bear, although fortunately he has never had to put that hypothesis to a test. He was born at a very young age and, much to his chagrin, has been getting progressively older ever since. He has a lovely B.A. in Cultural Anthropology adorning his bathroom wall and it is, by far, the single most expensive piece of paper he owns. An award-winning photographer currently based out of Syracuse, NY, Bill's work has been exhibited multiple times at the New York State Fair and has been featured in several shows across Central New York.

He enjoys taking long walks on the beach; spontaneously going on adventures with his beautiful wife, even if it means driving twelve-hours just to try duck-fat-fried poutine; and sometimes, just sometimes, he finds subtle satisfaction in a good cup of coffee.

If given a choice, Bill would rather be in Hawaii.

Category Archives: Kodak Ektar 100

May flies & June bugs….

Fog of Mystery

Fog of Mystery, O'ahu. Vintage Diana F, Ektar 100.

Hello Internet,

It’s been awhile, hasn’t it? I know, I know, I’m a bad friend leaving you hanging like that. Not a word or a peep or even just a heads up.

Suddenly, it’s June. I know May existed by the subtle carnage it left behind, but as to where it went, only future archaeologists may know….

So yeah. How are things?

Good, good (unless, of course, they aren’t; then you have my sympathies or other appropriate response).

Things have been hectic here. But you know how it is and how it goes and what-not.

Ok.

Well it’s been nice chatting with you.

Hey! Let’s try to keep in touch.

Diana F – Surfer Lanikai

Surfer Lanikai

Surfer Lanikai, O'ahu. Vintage Diana F, Ektar 100.

Lanikai Beach, on O’ahu’s windward coast, is a place that existed in my imagination well before I ever knew it actually existed.

It has a beauty that makes any words used to describe it feel brutish & hackneyed in comparison:

– Water that openly defies Crayola with an ever shifting palette of blues and greens not found even in the big box of crayons.

– Sand so soft you could use it as cake flour.

– The sun in the sky so inviting, that you lay back and close your eyes to let the warmth embrace you; yet still feel compelled to open them every couple of seconds to reassure yourself it’s not a dream.

– Two picturesque off-shore islands that so perfectly compliment everything you see around you, you’ll find faith in a higher power, because shit like this doesn’t just happen… this… this is Intelligent Design.

– It inspires hyperbole so thick… uhmmm… you could eat it with a spoon…?

Yeah, sorry about that… got a little carried away there, I suppose.

Ok, ok, one more:

– The ocean, so serene, gently lapping against the subtle sloping shore, that despite being in Hawaii, you nearly wonder aloud “what the hell is that surfer doing here?”

Diamond Head

Diamond Head Sunrise

Diamond Head Sunrise, Waikiki, HI. Canon 40D, PS.

Diamond Head, the iconic Hawaiian volcano, is probably one of the most photographed mountains in the world and, as a good tourist on O’ahu, I tried my best to do my part.

From sea to summit, Diamond Head rises 762 feet; fortunately, the hiking trail inside the crater already spots you two-hundred feet of elevation for a modest 560 foot climb over a 3/4 mile to the top. I say ‘fortunately,’ because after the roughly 160 steps to the top and an odd little ladder scramble to the summit, my knees felt like they were made of molten iron, and not in a good ‘molten iron’ kind of way.

But the views from on top were worth it.

Waikiki from Diamond Head

Waikiki from Diamond Head, Canon 40D.

Waikiki as seen from Diamond Head

Waikiki as seen from Diamond Head, O'ahu. fBHF on Ektar 100.

Diamond Head Lighthouse

Diamond Head Lighthouse, O'ahu, HI. Canon 40D.

Windswept Bush on Diamond Head

Windswept Bush on Diamond Head, O'ahu. fBHF on Ektar 100.


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BHF – Aging Gracefully

Aging Gracefully

"Aging Gracefully - Waikiki, HI." fBHF on Kodak Ektar 100.

Ah… this has to be one of my favorite shots from our last Hawaiian adventure.

My wife and I waxed poetic about this older couple walking Waikiki beach hand-in-hand in front of us. We playfully envisioned them as though we were staring thirty-or-so years into our future: still in Hawaii, still madly in love, flaunting what we still had left, as we stroll along the sandy shore, the azure Pacific lapping at our feet and the sunshine warming our wrinkling skin as it gently flaps in the breeze.

I teased my wife that I’d be lucky if she still wore bikinis that far into the future; she said she’d be lucky if I ever wore a Speedo. I replied that it would probably take the full thirty years just for me to squeeze my fat-ass into a Speedo and humanity would probably be for the better if I never tried.

She heartily disagreed, so I gave her thirty years to change my mind.

See more:
Gallery: fBHF – O’ahu 2009

Sometimes the magic gives you toads

Wading into the Light

'Wading into the Light.' Waikiki beach, Hawaii. Vintage Diana F, Kodak Ektar 100, PS.

Somewhere along the way, my vintage Diana F developed a dastardly light leak in the upper left-hand side of the frame (lower-right image).

As opposed to a beneficial or relatively benign light leak, I’d say this one ruined several rolls of film from Hawaii, except ‘ruined’ is such an ugly word.

How about I just say it ‘challenged’ the composition of several of my shots?

When dealing with crappy cameras, you learn to expect the unexpected. Sometimes the magic gives you unicorns riding motorcycles; other times it gives you toads.

Mind you, they’re still magical toads, so with some effort you still might be able to finagle it into a Princess; but then again, sometimes all you end up with are warts.

The above image is my attempt at saving a princess from an eternity of toad-dom. It’s definitely not the image I had conceived when I shot it, but I think it works. The mirrored symmetry of the new composition balances out the unevenness of the original.

So the good news is that it only took me the better part of fifteen minutes today to diagnose the leak in the Diana F (around where the viewfinder & the flash contacts meet) & plug it with ‘fun-tack’ (you know, that ubiquitous sticky putty adhering beer posters to walls in dorm rooms all across our nation’s colleges & universities).

The bad news is I still have a whole bunch of amphibians waiting for their turn to be kissed.

BHF – Waikiki Sunset

BHF - Waikiki Sunset

Waikiki Sunset, taken with a flipped lens BHF, Kodak Ektar 100

Another image from my trip to O’ahu this past December. My wife & I were hurrying along, trying to get from the hotel to the House Without a Key for cocktails, after spending a little bit too long at the beach that day. We had just started our mile-long stroll when I startled my wife by suddenly running out into the middle of the street, just to capture the scene relatively unobstructed with my favorite blurry-cam.

Of course, my wife chided me for violating the “No running out into traffic while in Hawaii” rule, but I think the result was worth it.

See more:
Gallery: fBHF – O’ahu 2009

How to flip a Brownie Hawkeye Flash lens

Brownie Hawkeye Flash

Kodak Brownie Hawkeye Flash

I’ve noticed a lot of search traffic hitting my site specifically looking for information on how to flip the lens of a Kodak Brownie Hawkeye Flash (BHF). While there are probably multitudes of other resources on the interwebs, I figure I’ll just throw my two-cents out there.

For those who don’t know, the BHF is a black bakelite beauty with a top-down viewfinder, single element meniscus lens, shutter speed somewhere around 1/30 to 1/60 & a bulb setting, while it lacks a tripod mount, it has a nifty handle. In it’s heyday, the BHF was a very popular camera. Your grandparents most likely had one. Nowadays, you can find them cheaply at thrift stores, flea markets, garage sales, and eBay, or for a higher premium decorating shelves in antique stores & hipster boutiques.

I got mine for free on Craigslist thanks to a kind-hearted Samaritan who was donating several cameras to anyone who could justify receiving one. I simply wrote “I’ll use it.” It arrived in the mail a couple days later and I’ve been enthralled with it ever since.

Anywho, an unmodified BHF takes a relatively normal photograph, but something magical happens when you flip the lens. It’s like the soft focus of a vintage Diana multiplied to the Nth degree. The lens’ focal point shifts from infinity to about 3 feet in the center, while the edges just melt away into blurry goodness. The effect can be quite surreal.

Flipping the lens of a BHF is actually a simple procedure with a very low-risk of permanently #@$%-ing anything up and is easily reversible. That said, I assume no responsibility with these directions if you somehow manage to accidentally bork your favorite family heirloom.

Ready? Let’s get flipping.

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Pali Pano

diaf-oah-pali-pano1

Pali lookout panorama, multiple exposure, vintage Diana F, Kodak Ektar 100

I’m starting to process some of the multitudes of images I captured on O’ahu this past December. The above photograph was taken at a tourist pull-off on the Pali Highway, a scenic route that takes you over (and through) the mountains from Honolulu to Kailua on the windward coast.

By its nature, it’s a shot that probably untold millions of tourists had taken before me and a shot that millions of untold tourists will continue to take in the future; in my imagination however, I’d like to think I was the first to use a vintage Diana F with Kodak Ektar 100 to make a multiple-exposure panoramic.

I’ll continue to process these images for now, as my wife is itching to scrapbook/album our entire vacation and wants to see what I have to contribute. So, I’ll post anything of interest here and then bulk load the rest up to flickr.

In blog news:

  • – I’m learning enough CSS to finally tweak most of the little things that I disliked about the blog layout. I’m still not 100% satisfied, as I still don’t truly understand why certain aspects refuse to change, despite my better efforts; but I’ll continue to work on it.
  • – If anyone out there is knowledgeable in WordPress, how do I get to fool around with the ‘dynamic_sidebar’? I want to have widget-specific CSS, but the sidebar doesn’t separate label widgets independently. Am I even making any sense?