As I twittered (tweeted, twooted, twinkled, twunctated or twhat-have-you) yesterday, I’ve finally finished scanning all the 120 rolls from my December trip to O’ahu; now I face the Herculean task of processing the rough scans into pretty pictures. At first glance, there are several frames that have caught my eye that I can’t wait to return to later.
The fact I at least finished scanning two consecutive projects (HolgaHike & O’ahu 2009) is progress, in more than the immediate literal sense. I should try to explain.
I’ve been loosely following The Art of Waiting project. The concept, as best I understand it, is that several photographers go out & contemplate ‘waiting’ in their work; then, they themselves (and the audience), have to wait until next year to see the fruit of their labors. I said “loosely” following, mostly because their concept hit a little too close to home: part of what they’re doing as art, I’ve been doing for years out of sheer procrastination.
I have a backlog of twenty-some-odd rolls of 120, some dating back to 2007 and most before I started labeling my rolls with location/camera/date information. So I have a shoe-box’s worth of my mysterious past awaiting to be discovered. Perhaps, instead of feeling traces of guilt about neglecting the past, I should mentally justify my procrastination as ‘art.’
If my negligence was on purpose, then what I’m really doing is just ‘aging’ those rolls, like one would with a fine wine or cheese, to be appreciated at some later date with pinkies out.
So the fact that I’m close to completing a project or two, means I can start another with a clearer conscience, which is progress.
Anywho, here is some more recent Hawaiian ‘wine,’ fresh from the box (camera).
The wife & I were strolling along Waikiki beach (as one is wont to do in Waikiki) in the morning on the way back to the hotel from a sunrise breakfast at Duke’s (great view, good coffee, terrible eggs Benedict). The beach itself was still mostly abandoned due to the early hour, so it felt like we had the entire shore to ourselves, which, in & of itself, is a somewhat rare thing in Waikiki.
It was serene.
An amusing aside about Duke’s: our relatively youthful waiter noticed my BHF sitting on the table as he took our drink order; first he asked what it was and then inquired how many mega-pixels it had….
Gallery: fBHF – O’ahu 2009
Diamond Head, the iconic Hawaiian volcano, is probably one of the most photographed mountains in the world and, as a good tourist on O’ahu, I tried my best to do my part.
From sea to summit, Diamond Head rises 762 feet; fortunately, the hiking trail inside the crater already spots you two-hundred feet of elevation for a modest 560 foot climb over a 3/4 mile to the top. I say ‘fortunately,’ because after the roughly 160 steps to the top and an odd little ladder scramble to the summit, my knees felt like they were made of molten iron, and not in a good ‘molten iron’ kind of way.
But the views from on top were worth it.
I’ve noticed a lot of search traffic hitting my site specifically looking for information on how to flip the lens of a Kodak Brownie Hawkeye Flash (BHF). While there are probably multitudes of other resources on the interwebs, I figure I’ll just throw my two-cents out there.
For those who don’t know, the BHF is a black bakelite beauty with a top-down viewfinder, single element meniscus lens, shutter speed somewhere around 1/30 to 1/60 & a bulb setting, while it lacks a tripod mount, it has a nifty handle. In it’s heyday, the BHF was a very popular camera. Your grandparents most likely had one. Nowadays, you can find them cheaply at thrift stores, flea markets, garage sales, and eBay, or for a higher premium decorating shelves in antique stores & hipster boutiques.
I got mine for free on Craigslist thanks to a kind-hearted Samaritan who was donating several cameras to anyone who could justify receiving one. I simply wrote “I’ll use it.” It arrived in the mail a couple days later and I’ve been enthralled with it ever since.
Anywho, an unmodified BHF takes a relatively normal photograph, but something magical happens when you flip the lens. It’s like the soft focus of a vintage Diana multiplied to the Nth degree. The lens’ focal point shifts from infinity to about 3 feet in the center, while the edges just melt away into blurry goodness. The effect can be quite surreal.
Flipping the lens of a BHF is actually a simple procedure with a very low-risk of permanently #@$%-ing anything up and is easily reversible. That said, I assume no responsibility with these directions if you somehow manage to accidentally bork your favorite family heirloom.
Ready? Let’s get flipping.
The updating here at expiredfilm.com has been a little lax of late, as I have been thinking of doing some sort of a major overhaul of the site design. I want to move away from WordPress being the index and content manager of the site. I’ll keep WP around as a component of the site, but I think I want something more immeadiate for you the viewer.
Instead of just seeing whatever I happened to have posted last, I want you to see some of my best images right away; not have to notice the Gallery link on the right and have to navagate there, then wait for the page to load, then have to click on a thumbnail, then wait for the image to load, etc, etc etc….
I want “Here, this is what I’m about!!!” as soon as the browser resolves www.expiredfilm.com. I don’t want to be just another generic flash slideshow either, but I want to do more than I have now.
So with all these wants, the question now is “how?”
Flipped lens Brownie Hawkeye Flash on redscaled expired 35mm Kodak Gold 400.
Shot for World Toy Camera Day, October 18, 2008.
All taken with a flipped lens Brownie Hawkeye Flash, Rollei Retro 400 developed in Diafine.
Flipped lens Brownie Hawkeye Flash, Rollei Retro 400 developed in Diafine.
Kodak Brownie Haweye Flash with a flipped lens; Ilford HP5 Plus developed in Diafine.